Random thoughts of a fiber enthusiast - mostly fiber related, sometimes coherent

Category: Weave Page 28 of 34

Function over Form

It hurts. It hurts a lot. I’ve always weighed aesthetics highly.  Function alone just doesn’t cut it for me.  But last week, function won out over form. I needed a warping board that allowed me to measure out a warp of 8.5 yards. (Cottolin Tea Towel kit from Halcyon Yarn) My small Schacht warping board is up in Washington.  Besides, it only measured out 4.5 yards.

A fellow weaver from the guild gave me the warping board her husband made her, with the promise to pass it on to another weaver in need when I no longer have need for it.  (She moved on to sectional warping, and hasn’t looked back since.)  The warping board, unfortunately, only measured a scant 7 yards.  There is about 6″ between the pegs, so I thought I could just drill holes between the pegs and put a few more pegs in.  The pegs were 1/2″ and I just wasn’t strong enough to hold the drill steady while I drilled these big honking holes.  I started with 1/4″ drill bits, and gradually moved up, but I still messed up the holes.  I finally gave in and started looking for alternatives.

Then I remembered the article in March/April issue of Handwoven on building your own warping board with PVC pipes by Karen Wetzel.  It was interesting, but just plain utilitarian and not very pretty.  And cold.  But it was something I could do by myself.  So, off I went to the hardware store, again and again and again.

I’ve modified the design somewhat. I drafted out on gridded paper to see how large it needed to be to measure at least 8.5 yards.  I only wanted pegs at the top for the cross.  I didn’t need/want it on both ends.  Since it was going to be taller than the original design, I wanted extra cross support.  I also wanted to be able to break it down for storage.

There’s the fine balance between stability (don’t want the loom to come apart in the midst of winding a warp), and the ability to break it down, I used PVC cement on all the horizontal cross pieces.  These are the longest pieces and will not fit in a box, but I can tie them together. I also cemented each T section with a 4.5″ spacer.  This gives me the option to create a warping board on the fly to just the size I need.

I had a few false starts. The PVC cement in the garage was too old. Back to the hardware store. Although I had dry fitted all the pieces, I cemented the top bar incorrectly — I forgot to ensure that the T leg of the T connectors were pointed straight up.  More pieces were necessary.  Then I followed my directions exactly, and created a piece exactly like my drawings.  Forgetting that I changed the dimensions while I was actually building the darn thing.  Now the new cross piece is too short.  And I’m out of spare parts.  Third time was the charm.  I finally have a new adjustable warping board.  I actually have another set of pegs built so that it can measure a warp up to about 10-11 yards.  But I can make it even longer by adding more pegs.

There will be a point, though, that I would need to go to either a warping reel or sectional warping.

Aside: I didn’t want to buy a large warping board because they usually are very wide, and I can’t span the width without a lot of walking back and forth.  I really think that a sectional warping beam may be in my future.  This warping board is about 22″ across.

Knotty Girl

For the past year, a friend and I started “Nauti(cal) Girl” column and activities at the yacht club.  This past week, I became a Knotty Girl as well.  (Gee, I wonder what these words will bring via the search engines!)

I took the 3 day Contemporary Cut Pile workshop with Sara Lamb.  Whew! First, we spun the silk.  Then we proceeded to cut the silk we spun up into less than 1″ pieces.  I didn’t do a pattern like most of the other people in the class.  There were some truly beautiful pieces.  I just wanted to understand the technique, color blending, and explore how the knots of color behaved within the pile.  My piece looks mottled for all that, but I was able to finish it during the retreat!  The piece is sized for a small 4″x4″ purse with pile in the front and weft faced weave on the back.  I finished the pile during the class and the back over the weekend.

More pictures…(click for details)

Front

Side

Back (No, that distortion isn’t an artifact of aspect, it’s draw in.  I obviously have a lot of practicing to do.)

SOAR was incredible.  This was my third SOAR, 2nd time that I attended both the workshop and the retreat portions. Each time is better than the last. It’s like a summer camp for spinners. Even down to the camp counselors who catch you drinking and having too much fun, and tell you to keep it down and put the booze away. (Okay, this last bit wasn’t like camp.  It didn’t get confiscated.) We had to resort to drinking in the classrooms so that we wouldn’t have open containers in the common areas.  It was great to see old friend and make new ones.  The talent and energy swirling around me were just simply amazing.

Between the workshop and the retreat, Interweave arranged a little field trip to the Home Textile Tools Museum.

I love that bird nest above the sign!

What a wonderful little museum.  They opened up just for our group (season ended in September) and set up small workshops for all of us.  I took a natural dye workshop.

Look at that!  Right over an open fire.  Even I wouldn’t go quite that far.  Maybe.  (I can imagine Martin shaking his head and saying, “yeah you would.”)

I saw my first Pendulum Wheel.  Isn’t that just plain cool?

Aquilina was on hand to show us back strap loom weaving.  The yellow/green/red piece on the floor is a scaffolding piece that has been warped but not yet woven.  The piece immediately next to her is the pack that she used to carry her weaving on her back, like a backpack.  She’s also wearing a shawl that she has woven.

Close up of the piece that Aquilina is weaving.  She’s picking up the warp for the pattern.  Nilda says that they memorize the picture that needs to be woven, and everything is by memory.  They don’t work from charts.  Each village has their own distinctive weave pattern.  All threads are spindle spun and dyed with natural dyes.

Music Lessons

Mom was right. All those years of violin lessons did pay off, but not in the way she imagined. I learned to read music, albeit, not very well. (Once I hear the music, I can play it. If I only have the sheet music to go by, it’s slow for me to slog through it the first time. After that, it’s a breeze.  My fingers were tied to audio memory, not the written notes.)

Treadle Sheets

But the relevant lesson here is that I can read the music and translate it into what my fingers need to do without having to stop and look at my fingers.  This translated well for reading my treadles notes and translating that into what my feet have to do.  Once I learn the “music” it’s a matter of getting the rhythm.

Above are my shorthand notes for various patterns in my gamp.  Once I tie on the treadles for the pattern, note the treadle order (I labeled my treadles: right foot, left foot), and then it’s time to play.

Page 28 of 34

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