CNCHÂ starts tomorrow. I’ll provide a report next week. In the meantime, here are some eye candy on a few of my submissions. Drop by the gallery and take a look if you are in the Bay Area this weekend!
The bag on the left is the Beggar’s Bag for the Traditions and Innovations Gallery.
Draft: Floral Dance Star Variation (Anne Dixon)
Warp: Borgs 22/2 Cottolin (natural)
Tabby Weft: 8/2 cotton (natural)
Pattern Weft: Â assorted handspun handpainted BFL singles (purchased at 2011 Whidbey Island Spin In from Island Fibers, I think)
Construction: all hand pieced, even down to the zipper and Â lining.
I definitely learned quite a bit on this project. Even after re-sleying, I think the sett is still too close. I found out later in my research that I should have sleyed it for a loose plain weave. This is why I had to go to a 8/2 cotton instead of cottolin for weft. It’s a good thing too since I ran out of natural cottolin.
On the left is my Return to Sender skein, blocking on the skeinwinder. On the right is what the batt looked like before I started. The fiber is 85/15 BFL/tussah, dyed with natural dyes by Mary Finley and Roger Salter of Dreamy Goat Design Studio.
I split the batt into pure colors, and stripped out the mixed bits as my “in-between”. Spun the colors in progression as a fine single and plied it with an 80/20 “black” BFL/tussah (SOAR 2009 ? special — Bend, OR). You can see that the black BFL toned down the colors quite a bit, but still quite nice.
Weight: 4 oz. (2 oz. RTS, 2 oz. black BFL)
Yardage: 1,012 yards
I have one more gallery submission for the Return of the Return to Sender (yarn spun for the 2010 CNCH), but I forgot to photograph it before sending it on. I used an alternate treadling to Floral Dance with my 2 ply yarn and turned it into a sketchbook cover. Probably subliminal. I’m not that happy with the cover. I will likely re-do it after the conference.